Guys And Dolls is summed up by the title – the accent being on all American characters with street-wise sensibilities, interacting, intersinging with a lot of gusto and sensitivity in equal measure. Another hit from director Elsie Kelly, musical director Tricia Gaskell and choreographer Charlotte Elverstone.
Nathan Detroit, played by Chris Simmons, is a good bet from start to finishwith his on-stage chemistry with the wonderfully whimsical Miss Adelaide thanks to Linzi Stefanov. They have been engaged for 14 years and this scenario provides some fine, on-going comic moments. Their balance of fun and games is a joy throughout. When she said ‘goils’ for girls you would believe she is from the Bronx.
Called a Fable of Broadway with its colourful language and charactera to match… it is a modern day musical classic. Moody Sky Masterson (Tony Prince) soon learns the error of his ways by first trapping then falling for sergeant Sarah Brown – a good soul in the very capable hands of Jessica Walters.Their trip to Havana and the cocktail sketch is sparkling.
The theme of redemption is a popular one in musicals, whether romantic, financial or spiritual. Here it forms the basis of the plot while seven strong dancers, the Hot Box Girls, provide fabulous song and dance routines in the nightclub of the same name. A large cast tick all the boxes, individually and collectively.
Guys And Dolls, of course, is awash with great, catchy songs including; Luck Be A Lady Tonight; I’ve Never Been In Love Before and Sit Down – You’re Rocking The Boat. There is real zeal in each scene of the two acts.
The versatility of the company shines through, especially on the comedy scene in the mission hall and the fun finale.
Well worth a visit, ya all, to this “off Broadway” BOST outing.
LEISURE, 16th May 2014
Guys And Dolls
THIS is a show that the Birkenhead Operatic Society Trust should boast about – it sums up their amazing legacy of producing shows that can take on anything in the West End. This pre-Christmas production is sparkling with a cast who relish every minute they are on the stage. It has everything for the family; a delightful Cinderella (Melanie Isaac) and a dignified Prince Edward played by Tony Prince – how apt. It is an ensemble piece so there isn’t time nor space to pick out other individuals.
BOST really do deliver when they take on a project and the costumes and stage sets are first class with a great transformation scene. The choreography and whimsical songs, such as Once I Was Loved and Protocoligorically Correct are relayed with real finesse and typical vibrant enthusiasm.
You have choruses of ministers, courtiers, servants guards and villagers, mice dancers French children, page boys, ballet troupe.
There is something very charming and innocent and … beautiful about people who wear their heart on their sleeves and perform to such dazzling standards.
Something to sing about, BOST – a truly WONDERFUL Wirral success story.
WIRRAL GLOBE, 20th November 2013
The Slipper And The Rose
BOST’s production is simply lovely and a perfect Christmas treat. ..
The show is a visual treat, with the cast in sumptuous costumes, ballet dancers pirouetting gracefully, real ponies pulling a carriage – and even the surreal sight of dancing mice.
…Fairy Godmother (Pat Davies) is overworked and occasionally grumpy but is still able to work her magic – especially when Cinderella is transformed in an instant from a servant to a princes-in-waiting in a shimmering ball gown, ready for the ball. Just how did they do that?
Melanie Isaac is an appealing, sweet-voiced Cinderella, while Tony Prince brings heart and soul to a Prince who just wants to be in love with the woman he marries. Prince and Mark Gairruso as the forgetful, jovial King, manage to wring out every drop of wry humour from the script without veering into panto territory – ably supported by Frank Nance, who brings real gravitas to the role of Lord Chamberlain.
There are some brilliantly amusing moments which make even this fantastical fairytale feel very real.
Reflecting on the ball the morning after, one of Cinderella’s stepsisters grumbles that the Prince seemed taken with his mystery woman – ‘but then men always go for the obvious’.
But the star of the show is undoubtedly Cinderella’s impeccably trained dog – and you would have to have a heart of stone not to join in with the ahhs as the cute canine canters onto stage.
LIVERPOOL ECHO, 16th November 2013
The Slipper And The Rose
It might come as a surprise to discover the production currently on stage at the Royal Court comes from the Birkenhead Operatic Society Trust (BOST).
Oliver! And Oklahoma! it ain’t.
But more power to BOST’s elbow, because the entire cast has committed itself one hundred percent to this departure from the norm, and the result is a production rich in both pathos and comedy.
Under director Elsie Kelly it is packed with entertaining performances, and there’s a palpable sense of camaraderie between the six men who form “Hot Metal” with heartfelt and hilarious consequences.
Chris Simmons’ emasculated misogynist Jerry is the forceful leader of the pack, and the actor is a strong physical and vocal presence on the stage. But there are lovely turns from each of the men, including David Robarts as chubby house-husband Dave and John Tetlow as the sensitive, depressive mummy’s boy Malcolm who finds affection from an unlikely quarter.
Still, while this is a man’s world, the women aren’t merely bystanders, with Linzi Stefanov giving a particularly feisty performance as Dave’s wife.
THE FULL MONTY
The Empire was alive with the sound of music last night as Birkenhead Operatic Society Trust brought the Rogers and Hammerstein show to the city stage. Although an amateur group, BOST put on an accomplished and impressive production. Jessica Walters as Maria is certainly not a problem to be solved… (she) is irreproachable and her scenes with the Von Trapp children are a
delight. Do-re-mi and The Lonely Goatherd are standout highlights. The show maintains an energetic momentum. Walters, the children and Gareth Casey Morris as the Captain, give fantastic performances, which appear far from amateur. The highlight is, of course, the Von Trapp clan performing in
front of a giant Nazi flag and officers, a beautiful rendition of Eidelweiss.
The Sound Of Music (2012) – Liverpool Echo
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